الفيلم الوثائقي : الوثيقة و الحقيقة و الرؤيا : مقاربة أنطولوجية

الملخص EN

That is, below, another attempt to define the film documentary which offers itself, probably, just as a personal point of view.

However, it is not, at this point, about an own definition, but we are supposed to reveal a transcendental approach based on an epistemological tendency that helps to deeply grasp the real position of the film documentary towards a three components: document (reality), truth and vision.

Thus, we are, actually, seeking some conceptualization limited by the ontological dynamism of the film documentary and protected by a few key- terms sketched, at the same time, from structuralism and from the sphere aesthetic-cinematographic.

So, the big question here is: is it possible, for the documentary filmmaker, to film the reality without introducing his self or his own vision?