حول التداخل و التكامل بين الشعرية و بعض الحقول المعرفية : مقاربة أنثروبولوجية

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The Overlap between the poetry and some other disciplines, anthropological approachHamraHesna- Doctoral student: hamrahesna@gmail.

comMember of the laboratory of Statistical Analysis in the Humanities and preparing a unifieddictionary for itframed by: NOUREDDINE KADOUCI(grade: lecturer)noureddine_k@hotmail.

frTlemcen UniversityThe aesthetic position of looking to the world is contrasting the practical position, it is a way in which a person abandons the common view of things not considering the things themselves not their time and place but to go deeper in its meaning where the person gets into a complete meditation, it is said that: “the search for a pure aesthetic queen or specific emotion is hopeless, it is just one of the many proofs that show us the desire of the mind to analyze and dissect”.

But are there no differences between the perception of the ordinary subject and the aesthetic issue? Between the attitude of a person towards doing, thinking about, and the intellectually analyzing the practical matters, and between a person contemplating landscapes, artwork, or be it a painting, a poem, or music? Many studies have examined cases of mutual influence between poetry and music, between Czech poetry and art, and between poetry and other parts of literature from story, novel and theater.

Studies found that the mutual interaction no matter its extent will not eliminate their respective independence, Because the true bridge between literature and the arts is the unity of the climate that brings together and brings them together in visions and methods of expression, because all the arts are nothing but phenomena of art which is one in them all.

Based on what is above, this article sheds light on how poetic, as a discipline, has intersected with disciplinary fields such as stylistics, semiotics, and deliberative linguistics.