الكتابة الأنثوية و الكتابة الذكورية : اختلاف جوهري أم وهج تنظيري المحظور الديني بين ربيعة جلطي و سمير قاسيمي أنموذجا

الملخص EN

Over the past decades, and despite the fact that women have not abandoned intellectual and literary prodoution as it as promoted, and the emergence of male writing being constantly present, creativity, female writing has received clear attention from critics and researchers.

That emergence grasped the critics, attention that created research material which usually focused on the theoretical part and marginalized the practiccel one-this generated the following questions: Are there really significant differences between female and male writing? What is the relationship between genre identity (male and female) and the issue of masculinity and feminity? What is the relationship between masculinity and feminity and literary writing? Attenpting to answer these questions, this paper examines the difference between the female writer and male writer in dealing with the issue of taboos that were commonly desecrated in the contemporary Algerian novel, and chose the desecration of the religious taboo starting from the works of novelist Rabia Jallti and novelist Samir Qasimi.