جدلية الرؤية الاخراجية و المنظور السينوغرافي

الملخص EN

Our research deals with the dialectic of the directing vision and the scenographic perspective in the construction of the theater performanceThe term "sonography" is one of the most important and popular terms in modern theater studies, because whenever discussion and discussion are raised about this theater, about the performance, and about furnishing the space, the problems of this theater with all its dramatic, artistic and technical components are not raised, so the issues of the functioning of these components are raised in their synergy and harmony.

Its integration within a theatrical structure is presented to the recipient as a basis for these components.

In order to determine the importance and scope of the term scenography, the term should be placed within its own limits that link it with all the components of the theatrical performance, including decor, costumes, lighting, etc.

In light of this, the researcher divided his research into: A- First: The research problem, its importance, its limits and its objectives.

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as the researcher presented the problem to the extent of the impact of this relationship in building the theatrical presentation between the scenographic perspective and the directing vision, and defines a goal in identifying the importance of the relationship between the visual designer (scenography) and the aesthetics and visions of the intellectual output as well as explaining this relationship and its existence And its importance between directing and scenography.

In the theoretical framework, the researcher dealt with the relationship between the philosophy of directing and the arts of scenography through a number of investigations, and for that it is necessary to address the dialectic of the relationship between scenography and production in a major topic.

In this field, we would like to refer to the relationship between the scenography director and the scenography director, as they share formative and other dramatic factors - The percentage of participation may vary between the director, the scenography, and the scenography of the director, from where the side prevailed over the last between the formative dimension and the dramatic performance of the theatrical performance, where the importance of scenography lies in its aesthetics, since the plastic construction of the scenography is one of the important pillars that theatrical design adopts in the evaluation of the theatrical presentation as An aesthetic and artistic subject with the ability to celebrate the form as well as the research dealt with the dialectic of the text and the scenographic image, the direction and scenography as a contradiction or an artistic unit, where we are always faced in this axis a complex problem of two basic elements, namely: directing and its link to theatrical performance, then scenography and its relationship to the perspective vision of multiple geometric dimensions as The researcher is exposed to the references of scenography where nudity is derived The art of scenography has its implications for its openness to different artistic and technical professions, which have links to theatrical performances.

Then the researcher tackled the most important existing problems that are presented by the constant question: Are directing and scenography a contradiction or an artistic unit? Where we face in this axis a complex problem of two basic elements, namely: directing and its link to theatrical performance, then scenography and its relationship to the perspective vision with multiple engineering dimensions In the last chapter, the researcher concluded a number of conclusions, the most important of which were: The scenography theme and its connotations and its relationship to the role of the directing being the dominant and its manifestations and because scenography is a university of arts in its composition has become a starting point for establishing the theatrical image that the director creates through the work of the designer and other visual and audio elements.

A translation of the visions and ideas in the light of which the director establishes his theater architecture