الصورة و الإدراك السينمائي في فلسفة موريس ميرلوبونتي

الملخص EN

The interest of the philosopher Maurice Merleau Ponte in the art of cinema and photography was not accidental, as he kept pace with the early beginnings of the emergence of cinema and its spread in the French milieu, in addition to the general character that distinguished his philosophy.

The point of convergence between the body (the self) on the one hand and the being (the subject) on the other hand, which will not find better than the image as a more appropriate space that translates this interaction