آليات التشكيل الدرامي في مسرحية "الأميرة تنتظر" لصلاح عبد الصبور

الملخص EN

This Mechanisms of the Dramatic Formation in the Play “The Waiting Princess” By: Salah Abdel Sabour.

This research studies the mechanisms of dramatic formation of the play “The Waiting Princess” by Salah Abdel-Sabour.

The research is in five sections, starting by an introduction, body and followed by a conclusion.

The introduction provides the reasons for choosing the topic, and review of literature and a short synopsis about the poet Salah Abdel-Sabour.

Chapter 1 sheds light on characterization in the drama “The Waiting Princess” where the poet talks about the concept of character as one of the important and influential elements in building and writing a dramatic text, in addition to that he speaks about the distribution of characters and different methods for studying characters and the classification of characters and the personalities and analysis of characters in context.

The second part of the research addresses the building of events in the play; where the researcher talks about building eternal structure of the play; the structure of the plot for the events of the play (the conflict-rising action-the climax-and resolution).

The third part of the research addresses the space of the theater, where the researcher talks about the structure time in the play; in terms of: arrangement, duration, frequency and structure of place.

The fourth section pinpoints the style of the play; stylistic formulation the poet used in his play.

For example, the use of repetition, interrogating and portraying the fifth section deals with the building patterns of drama these are the components which help to build the foundations of the play where dialogue monologue, audience address, the chorus and accompanying text is represented.

The last section is the conclusion which summarizes the salient points and the most important findings of the study.

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