تفكيك بنية الصورة في الرسم الإنطباعي

المؤلف

وئام سامي عبد الكريم

المصدر

مجلة جامعة بابل للعلوم الإنسانية

العدد

المجلد 25، العدد 7 (31 ديسمبر/كانون الأول 2017)30ص.

الناشر

جامعة بابل

تاريخ النشر

2017-12-31

دولة النشر

العراق

عدد الصفحات

30

التخصصات الرئيسية

الفنون

الملخص EN

This research (The Deconstruction of Impressionist painting structure) studied Deconstruction as a theory and how it works in modern paintings.

This research consists of four chapters, the first chapter dealt with the curriculum of the research, and the problem can be defined as follows: - Is there any Deconstruction in Impressionist painting? - How did Deconstruction appeared in Impressionist paintings? The research bounderies on studing (The Deconstruction of Impressionist painting structure) and analyzing a number of photographes of the paintings which represent Impressionist painting and for the period( - ).

And by using a descriptive analytical method in its two parts, the theoretical and practical parts.

The second chapter consisted of two sections,the first section dealt with the Deconstruction philosophically.through the Deconstruction of Jaques Derrida The second section, dealt with painting structure in modern art.part one: Romanticism,Realism,Barbizon.

Part two dealt with Impressionist painting: A- Impressionist painting B- post Impressionist painting.

The thired chapter dealt with the practical application of the Deconstruction of Impressionist painting structure through the whole work, sample, tool and analysis of paintings.

Finally the forth chapter contained the result, conclutions, recommendations and suggestions.

The researcher reached some results which are: - The Deconstruction of Impressionist painting structure appears through the form which lost a lot of its solidity and became deconstructed, loose,and light, because its not the main aim of the artist.

- The Deconstruction of Impressionist painting structure appears through giving the importance to coulors and not to lines.

And building the painting with coulors harmonyies.

- The Deconstruction of Impressionist painting structure appears through taking off the out lines that surround things, and the forms started to image into each other's, and its edges became unclear and uncertain.

The research ends with a list of references, appendices and a summary in English.

Keywords: Barbizon , Yale school , Deconstruction , Realism , Impressionism.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

وئام سامي عبد الكريم. 2017. تفكيك بنية الصورة في الرسم الإنطباعي. مجلة جامعة بابل للعلوم الإنسانية،مج. 25، ع. 7.
https://search.emarefa.net/detail/BIM-1086964

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

وئام سامي عبد الكريم. تفكيك بنية الصورة في الرسم الإنطباعي. مجلة جامعة بابل للعلوم الإنسانية مج. 25، ع. 7 (2017).
https://search.emarefa.net/detail/BIM-1086964

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

وئام سامي عبد الكريم. تفكيك بنية الصورة في الرسم الإنطباعي. مجلة جامعة بابل للعلوم الإنسانية. 2017. مج. 25، ع. 7.
https://search.emarefa.net/detail/BIM-1086964

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن ملاحق.

رقم السجل

BIM-1086964