تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية

المؤلف

الطالباني، أحمد عماد عبد الحميد

المصدر

مجلة جامعة بابل للعلوم الإنسانية

العدد

المجلد 25، العدد 7 (31 ديسمبر/كانون الأول 2017)، ص ص. 3358-3384، 27ص.

الناشر

جامعة بابل

تاريخ النشر

2017-12-31

دولة النشر

العراق

عدد الصفحات

27

التخصصات الرئيسية

الفنون

الملخص EN

The present research examined the structural transformations in the works of Rafid al-Nasiri al-Karafikia.

The study of the transformations that emerged on the visual field architecture of the achievements of the Karafikian artist and defines the external and internal compressors that led to that transformation.

It contains four chapters.

, Represented: the problem of research, which led to questions - What are the transformations of structural formation in the achievements of the Nasirite Rafik al-Karafiqiya? - What are the technical influences that contributed to these transformations? It also contained the objective of the research in terms of the transformations of structural formation in the masterpiece of the artist Rafie al-Nasiri through: the units and structural foundations entering the structure of the composition and technical variance, time limits 1691 - 2006 The second chapter dealt with the theoretical framework which included two subjects.

The first topic dealt with the transformation and structure of the visual field.

The second was the experiment of the artist Rafi al-Nasiri, and ended with the indicators of the theoretical framework.

The third chapter included the research procedures; the research community, its sample and its tools, in which the researcher built a tool to analyze and sample the research, and to analyze the sample samples of (5) cartographic works.

Chapter IV contains the results and conclusions as well as the recommendations and proposals.

Basic results include: 1 - Al - Naciri to form his achievements in accordance with the composition of the deployment on the vertical axis Vertical Composition 2 - The visual field of the achievements of that stage was composed of a composition consisting of several sections ranging between the forms (rectangle and square), through the artist cut the clipping into several parts and then rearrange according to the composition that was seen by the artist, Research, including : 1 - The technical act of the great role in that transformation in terms of external pressure on the artist in the introduction of the units composed of the formation of the problem of public formation.

Therefore, the technical diversity was most effective in introducing color and contact varied to form a visual structure different from the previous one.

2 - Experiences (Chinese and Portuguese) in addition to the cultural and popular heritage had a great role in crystallizing the visions of the artist and thus led him to those transformations.

.

The chapter contains a set of recommendations and proposals.

The study contained proven sources adopted by the research, and the research summary in English.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

الطالباني، أحمد عماد عبد الحميد. 2017. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية،مج. 25، ع. 7، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

الطالباني، أحمد عماد عبد الحميد. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية مج. 25، ع. 7 (2017)، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

الطالباني، أحمد عماد عبد الحميد. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية. 2017. مج. 25، ع. 7، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن هوامش : ص. 3383-3384

رقم السجل

BIM-1086966