منافذ التعبير عن الحرية في شعر الصعاليك : دراسة تحليلية حجاجية

الملخص EN

The deep structure of the Pre-Islamic poetic text (Ragamuffins) revealed that the theme of freedom, and the search for it, was regarded a central and fundamental subject, a means of communication, and a direct understanding key of the entire poetic text, especially if we consider that it was represented the other side, namely the opposite of slavery, which was exercised by the masters who had the leadership and the power reins at the time.

And because of the centralize authority at that time, the lack of harmony and disparate were appeared among the components of that society.

Therefore, the poetic function came to reflect poet's outlets toward the other worlds, to coincide with the vision of the self, or to fit the harmony and ambition that aspired the poet who hoped to take it into consideration.

The sense of the self in its existence and entity inevitably rejected the forms of domination, despotism, and fall under the hammer of social conventions and traditions.

Consequently, this generated a lot of coups against the supreme authority, which represented the authority of tribe since the sense of no need made the poet rejected that high authority regardless of its power and domination.

Perhaps the source of that rejected sense was the insightful and conscious reading which associated with the voice of death, namely it represented the inevitable end of every human being.

Thus, these poetic visions were expressed by those poets themselves, in many of their poetic poems, as well as the accumulations of that era, were established in the Arab's mind, which were accustomed to their daily life and the status of reality in which they were lived in.