جماليات توظيف المشاهد التمثيلية "الدوكودراما" في السينما الوثائقية : تحليل سيميولوجي للفيلم الوثائقي الجزائري "ليلة النار"

الملخص EN

This study deals with the issue of the effect of using and employing scenes (Docodrama) on the artistic and aesthetic aspect of the film in documentary cinema.

In this study, représentative scènes or docodrama means inserting clips from representative scenes in the documentary, and the purpose of this employment for the historical documentary is to bring the viewer closer to the idea and subject of the film by trying to overcome the obstacle of the historical era that the film deals with by depicting scenes that express From that era.

The study found that there are aspects of the aesthetics provided by this technique at the technical and directing levels of the film, from clarification and explanation of the idea in aesthetic character that deepens the novel and oral testimony.

The most prominent characteristics of the cinematic language that the director used to depict these scenes were represented in his dependence on aerial photography through the "drone camera", which enabled him to capture very beautiful overhead scenes.

In the applied part of this study, we chose a documentary film entitled "Night of Fire" by Algerian director Khaled Channa, a historical documentary.