النزعة التصميمية في أعمال الخزافين العراقيين الشباب : خالد جبار العبيدي أنموذجا : دراسة تحليلية

الملخص EN

The design is one of the fun gates to which you can access the worlds of dazzling and attraction, based on the possibilities of visual embodiment, which provides fun and interest in the whole details of life.

Ceramic art is one of the arts that characterized the embrace of other arts as a design by design of Altzaiv creative, in pursuit of complementary artistic ceramic work, as well as the achievement of attraction and visual pleasure.

Therefore, the question arose as to the extent to which the design trend in the Iraqi ceramics, especially the work of young ceramics, has crystallized.

This question crystallized to be the nucleus of the current research, which included four chapters: • Chapter 1: The general theoretical framework, which identified the problem of research and put it through the following question: Can the researcher reveal the tendency of design in the work of young Iraqi ceramics (Khalid Jabbar al-Obeidi) model.

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The research also included the importance and the need and the research objective and limits that were for the period from 2008 to 2015, after which the researcher identified the most important terms that appeared in the research.

• The second chapter: contains two subjects represented the theoretical framework of the research.

The first topic is devoted to the study: 1- The concept of the encounter in the arts.

2.

Mechanisms of design in ceramics.

The second topic was included Mayati: 1.

systems design and methodology of engaging in ceramics.

2 - design tendency in contemporary Iraqi ceramics, and then identified the researcher the most important indicators of research, and then follow the previous studies and discussed.

• Chapter III: The research procedures included the identification of the research methodology, the research community and the sample represented, as well as the research tool and then the analysis of the sample, which reached five samples of one of the young potters.

• Chapter Four: Identifying the results of the research and the conclusions reached, as mentioned a number of recommendations and proposals, and the most important findings reached by the researcher as follows: 1 - represented the literal values of expressive and aesthetic and formative construction condition supported the structure of design works.2 - the method of implementation of the letters have a decorative appearance, so it is a complete design of the visual components formed the stylistic special potter.3.

The lines of all types (straight, curved, curved, italic) formed a free play space as a varied design act.4 - The models of the sample appeared with design ideas according to the regular relationships to the distribution of elements such as shape, color, texture, handwriting and space.5.

The uneven distribution of forms and colors in the business hubs established in the design side Mqterpatha6.

Khasita Althuzeiz achieved openwork depth towards a design calculated by Camille design act.