المعالجات السينمائية في شعر فائز الشرع : الوقائع لا تجيد رسم الكتابة أنموذجا

الملخص EN

Reflected the relationship between cinema and literature in the structural value of the base class, they Jnsan National Professional are close, discuss the social, intellectual and humanity itself and emotional issues, but the methods and data formality mixed, do not stop that relationship at the borders of convergence, but goes beyond to participate and actual swap techniques and general methods, to produce a smoothing and blending between the shapes and structures and compositions, and in this paper we try to expose those approaches artistic, intellectual and Majansat and contextual between poetry as a genre on the one hand, and film as technically an active and influential genera, the winner Shara foot chamber of poetry entitled: "The facts do not speak Drawing writing "has relied too much on technology and techniques and treatments film it, Shara feet Court Aatar formality different from what is familiar, as his frame theses and academic Alotarih But according to an interview given my hair.

The bookmaker Shara on film processors in his office this lies in the central image and the snapshot, in the cinematic image is the follow-up image as a given visible constant (iPhoto) across multiple methods contained in the poetic text proceeded techniques such as article tale and angles of vision and distance pictorial patterns Roy's, and treats all of these techniques with text unit that creates an imagined image is still moving in the mind of the reader.

The snapshot cinematic It is a set of images provide continuity to cover a certain scene within Zmkane one space, was addressed snapshot through a variety of techniques Khrakih camera (eye Ruwi) and rhythm shot between speed and slowness, and lighting the snapshot and the impact of lighting on the imagination writing process, and finally montage lens which relates processes of zoom in and zoom in closer to get away, to get out to see his art can be recognized by the fact that technological interaction between poetry and film.