النمودج الوظائفي في حكاية فيلم انشاء الله الأحد للمخرجة يمينة بن قيقي

الملخص EN

The study seeks to search for the smallest unit that controls the cinematic film's story, according to the overall structure of the story in light of the mechanisms of the morphological approach, and wechose the film "God willing Al-Ahad" by director Yamina ben Qiqui, where we worked to cut the story of the film and extractits functional units, and we reached a number of points: - The technical aspect of the cinematic film does not hinder the application of the morphological method, because the story is originally fixed, and what is required in it; from a difference in its formulation; is considered the carrier of the story only, and it does not change at all in its content- The image reduces much of the narration in the cinematic film, making it closer to the pro 's concepts, as the image coincides with what the function performs in the narrative path of the story.

- Morphological dealing with the structural structure of the movie's story made us focussing on the form without the content; in the sense of following the course of the action without the actor, which the scene image pays great attention to.

-The propp's model can accur a telyde scribe the film's story under the lesson, and accordingly; its narrative path can not be far from the propp's model.