توظيف التقنيات السينمائية في الرواية الشيئية : رواية "وردية ليل" لإبراهيم أصلان أنموذجا

الملخص EN

The novel is a constantly breachable and changeable narrative literary genre, and the most important thing that distinguishes it is its openness to other arts, and there is no doubt that the Arabic novel has experienced a number of transformations in terms of form and content, and this qualitative shift in narrative writing has been characterized by going beyond the narrative techniques of the novel of a classical character.

And rebellion against it, and the new Arabic novel has benefited from some modern techniques created by novelists were not used before, they benefited from the art of cinema, as they invested some of its techniques to form the narrative and imaginary style of the novel and enrich its own aesthetics, especially those The techniques in which we find the character of the object and objective monitoring of the event by camera, and from this point of view came to highlight the phenomenon of employing cinematic techniques in the Arabic novel and especially the current of the novel object, this current which is based on the accurate description of the external reality, with an eye that seems lacking in emotion, and this is what we learned in the novel 'wardiyat llile' by Ibrahim Aslan, in which the writer employed the cinematic method that depends on the rhythm of audiovisual images from cutting scenes and shots, camera movement, and angle.