توظيف الفانتازيا لتقليص الفجوة بين الواقع و المأمول في مسرح الطفل : حلم الأراجوز نموذجا

الملخص EN

If fantasy is based on the olute unbridled imagination without limits without being bound by any laws or mental logic through imaginary worlds, it embodies the unconscious and the impossible through the processes of transformation, metamorphosis, distortion and diversification into imaginary formations impossible to achieve in the real world because it does not have actual existence in order to uncover the opaque repressions in the unconscious and expose What is silent about it in the depths of the soul, the introspection of reality and the collapse of ideas, and then the production of truth through an alternate reality, considering reality alone is incapable of portraying the facts, through subjects inspired by imagination that operate as a psychological projection of what is inside usThe projective, illusory play of an early stage child depends on the same wild imagination as the fantasy launches.

If the primitive man had resorted to primitive fantasy magic rituals to discharging the charges of fear and dread from nature and its cruelty, then the child in his projective play resorts to fantasy rituals to unload his pent-up charges, the fantasy fiction is a new formulation of the world of reality, by raising it to the level of reality through metaphysical worlds.

His own fantasy era and his means of expressing it that suit him, by granting the individual the ability to make up for what he lacks in his reality, and also every artistic / literary creation employed by the customs, and psychology of a particular society