تجليات الغربة و الحنين في شعر الصمة بن عبد الله القشيري : دراسة تحليلية نقدية

الملخص EN

The manifestations of Estrangement and Nostalgia in The Poetry of Al-Sammah bin Abdullah Al-Qushayri.

(Critical analysis study).

  Rizk El-Metwally Rizk Ahmed.

  Department of Arabic Language and Islamic Studies - College of Education - Mansoura University.

  Email: rizkelmetwally@mans.

edu.

eg.

  :   This research aims to elucidate the human side of the phenomenon of alienation and nostalgia in the poetry of al-Samma al-Qushayri, where it touches the psychological meanings and human feelings that this type of poetry carried, studying its poetic contents and revealing the secrets of its artistic aesthetics.

  To achieve this goal, the study attempted to extrapolate the models and encompassed the contents of the poetry of alienation and nostalgia at al-Samma al-Qushayri, by defining the scientific definitions of this phenomenon, stating its motives and motives, its trends, the vision of the poetical subject of space and time, and the technical techniques on which the Qusharian imprint relied in depicting the experience of alienation and nostalgia in hair.

   As for the method that the researcher followed, it is the descriptive and analytical method, which deals with the phenomenon of alienation and nostalgia in his poetry.

To explore its motives, to clarify its triggers, and then to clarify its trends, to see the poet's view of the place and time, and to monitor the most important technical techniques that the poet relied on in his experience.

  The research reached the following results: The research revealed the most prominent motives that led to the alienation of Samma al-Qushayri, the most important of which is his failure to love.

The stance of al-Samma al-Qushayri was also evident from his alienation experience in two dimensions, first: the defeatist dimension.

Second: the actor dimension.

Our poet has many axes of nostalgia for the place, such as: mentioning ruins, antiquities and damn, mentioning the homeland and longing for it, and nostalgia for Najd.

The poet's vision of the place varied in his experience into three axes, first: the place of intimacy, which was a source of pleasure for him.

Second: The place of estrangement that was a source of pain.

Third: the two places polarized together.