Metatheatre in Femi Osofisan’s Morountodun

المؤلف

Anwar, Jihan M.

المصدر

Hermes

العدد

المجلد 9، العدد 1-4 (31 مارس/آذار 2020)، ص ص. 39-59، 21ص.

الناشر

جامعة القاهرة مركز جامعة القاهرة للغات و الترجمة

تاريخ النشر

2020-03-31

دولة النشر

مصر

عدد الصفحات

21

التخصصات الرئيسية

الآداب

الموضوعات

الملخص EN

This paper aims at examining the metatheatrical devices used by Osofisan in his play Morountodun.

It also reveals his purpose from using these devices; that is, his attempt to incite the audience / readers to reform their socio-economic conditions and challenge the existing social hierarchy that is unjust.

To do that, Osofisan uses multiple metatheatrical techniques such as addressing the audience, self-reference of the play to itself as a play, role playing-within-a role, the play-within-a play, music, songs … etc.

He successfully creates a distance between the audience and the theatrical situation, by using such techniques, to allow them to reflect on what they see and relate it to the real life in which they are supposed to be active participants.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

Anwar, Jihan M.. 2020. Metatheatre in Femi Osofisan’s Morountodun. Hermes،Vol. 9, no. 1-4, pp.39-59.
https://search.emarefa.net/detail/BIM-1242457

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

Anwar, Jihan M.. Metatheatre in Femi Osofisan’s Morountodun. Hermes Vol. 9, no. 1-4 (Mar. 2020), pp.39-59.
https://search.emarefa.net/detail/BIM-1242457

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

Anwar, Jihan M.. Metatheatre in Femi Osofisan’s Morountodun. Hermes. 2020. Vol. 9, no. 1-4, pp.39-59.
https://search.emarefa.net/detail/BIM-1242457

نوع البيانات

مقالات

لغة النص

الإنجليزية

الملاحظات

-

رقم السجل

BIM-1242457