بلاغة الغيظ في لامية العرب للشنفرى

الملخص EN

This research aims to analyze poetic discourse: To elucidate an active motivation from the motives and motivations of poetic creativity, that is (Rage), to demonstrate the reflection of that impulse on poetry constructively and on a topic, and to highlight the mechanisms that formed his active presence in the poetic text at the persuasive and emotional level, and the effect of that motivation on the other through the judicious presentation of the poem as well as the linguistic one.

This is done through the application to the Lamiat Al arabs as the typical poem that reflects a particular emotional context on the subjective and objective level.

It represents an argument between the self and the other.

The Rage seemed to have a prominent effect on the Lamait Al Arab , with the structure and the subject matter, so it reflected on the insider to embody the deliberate exclusion and the sharp declaration of the intended boycott, as well as the rooting of the Shanfara ego in the face of the other.

The linguistic structure is also a prominent reflection of Rage, such as the subject pronouns and their link with the rooting of the Shanfara issues, the negation of the counter evaluative adjectives, the condition, and the binding of the issues.

The image was evident in its metaphorical structures and the parallel narrative representation, as a manifestation of the Rage inherent in the Shanfara psyche, which left its mark on the whole poem frame.