التناص في فلسفة نيتشه مفاهيم و نصوص مختارة

الملخص EN

This paper sheds light on the philosophical roots of intertextuality and its application on the philosophical text of Nietzsche, which is chosen for Nietzsche`s important impact on the contemporary philosophical and critical currents.

Intertextuality is based on two principles : Firstly, the death of the of the author which means the absence of the idea of the owner of the text; as a result the text belongs to a group of authors.

Secondly, the text is always changing in a ongoing and infinite relationship with other texts.

There are many contributions of a group of critics and contemporary thinkers to the final form of the term Intertextuality, starting with Bakhtin who puts the basic pillars of Intertextuality through the concept of dialogue.

Julia Kristeva sets the term of theorization which is what she called textual productivity.

As for Testivian, he believes that each text is in a verbal communication, each verbal interaction takes place in the form of an exchange between words.

Nietzsche`s roots of Intertextuality can be defined in two points; the death of God to end the metaphysics of existence.

This means that the author's death aims to eliminate text metaphysics, and eliminate the superficial dimension of the text.

The second point is the idea of the image and permanent change of the text.

The text becomes in a moving structure and in a continuous relationship with other texts.

The most important features of Nietzsche`s intertextuality can be classified into three types ; religious intertextuality where the philosophical text is joined firmly to religious texts on the verbal and semantic levels.

Philosophical intertextuality, in this type the text interacts with other philosophical texts.

Mythological intertextuality which uses the myth to serve the philosophical meaning and reject the Socrates opinion and the Christian faith.