لغة الجسد في شكوى العاذلة في الشعر الأندلسي

الملخص EN

This research aims to study the complaint of the blaming woman in Andalusian poetry, by the mechanisms of body language, i.

e.

inference of visible body organ movements - as interpretable signs - of psychological emotions, in order to decipher the meaning embedded in the movement of the body, and to discover the hidden semantic values it carries, in order to achieve non-verbal communication, and to understand human behavior, without losing sight of the role of the context of the situation, which called for certain movements, without others.

The language of the body is transmitted between a sender and a receiver, in order to generate meaning, and to carry psychological, social and cultural connotations, it is a symbolic expression and a semantic system, representing a communicative language.

Although body language is associated with spoken language, it may act alone and make a full sense, without being associated with speech.

The research included a prelude and five investigations and conclusion, and the monitoring of the boot: the concept of body language, the scent of the body language of the ancient Arab critics, the genesis of the science of body language, the introduction of the first thesis: the expression of anger in the complaint of the blaming woman, the presentation of the second topic: the expression of disgust in the complaint of the blaming woman, the monitoring of the third thesis: the expression of fear in the sin, the treatment of the fourth thesis: the expression of sadness in the complaint of the sin, and the study of the fifth thesis.

The expression of astonishment in the complaint of the blaming woman.

The body language in the complaint of blaming woman in Andalusian poetry represented an ideological conception and cultural product, as a semiotic sign, with moral values, revolving around women and their struggle with men, where they send a message through the movement of the organs of their bodies, understand their meaning, without opening their mouths.

It was based on the semiotic approach, which depends here on the interpretation of the physical mark - by language - in order to reach the meaning, and often the signs combine with logical mechanisms, in order to produce successful suggestive semantics, which are appropriate to the social environment, and to keep pace with the cultural perspective, through a semiological pattern that goes beyond the binary (semantics and semantics), and thus achieves the semiotic process of the sign to open the sign.