الدلالات الفكرية للأداء التمثيلي في عروض ما بعد الدراما المسرحية : هيت لك أنموذجا

الملخص EN

This research deals with the intellectual implications that accompanied the representative performance of the actor during his embodiment of the ideas that are funds and present in the theatrical text and space to which they will go in the mind of the recipient to clarify the basic references for those indications in the theatrical performances that came in the contemporary time based on the diversity of theatrical performances and Which diverged from the text significantly and was its benefit from the text is the main theme and some of the dialogues that express these themes, the theatrical performances have reached great heights in embodying the ideas of the director, especially in postmodern theater, which was the main source of post-drama theater.

The theatrical presentation discourse is built on a basic idea that is comprehensive and holistic through the text, but this speech is completely away from the traditional form of presenting human ideas to be an aesthetic and intellectual speech, and the expressive connotations that accompany the actor’s body with the employment of decorative elements and theatrical space To form an integrated scenography in establishing performance components between the actor and the theatrical surroundings on stage, and from here the researcher resorted to establishing the title of his research (the intellectual implications of the representative performance, after theatrical drama (Haita Lak) as a model) and the research included three chapters: Chapter one : The methodological framework, including the research problem, which was adopted in the interrogation: What are the intellectual connotations that accompany the actor in his embodiment of the role that expresses the dramatic personality? It also included the significance of research and the need for it through its focus on the nature of the intellectual connotations accompanying the representational performance and the goal of the research, which focuses on the nature of the intellectual connotations of the ideals during his performance of the role and the limits of the research that was limited to a theatrical performance (Haita Lak) that was shown on the theater of the College of Fine Arts At the University of Basra on a date: Objectively studying the intellectual implications in the performance of a theater actor in post-drama theatrical performances.

The chapter was concluded by defining the terms and defining them.

The second chapter: The theoretical framework: It included two topics: The first topic: the intellectual implications of theatrical performances The second topic: the intellectual implications in post-drama theatrical performances In the third chapter, the researcher dealt with the research procedures, which included the research community, the research tool, and the research method.

The research sample was: Presentation of the play “Haita Lak” by Iraqi director Dr.

Maher Abdul-Jabbar The fourth chapter included research results, conclusions, recommendations, proposals, a list of sources and references, as well as an abstract in English.