المكونات الدلالية للبنية الدرامية و الفنية في نصوص مسرح العبث بين بيكيت و أولبي : دراسة مقارنة

الملخص EN

The theater is the most affected by all the ideologies that successive periods of time have passed through in the history of humanity.

With the thought of its creators, it builds a thought and a trend that is in line with the era from which it emerged and expressed, and soon transformations occur, destabilizing what was certain, and another thought prevails in search of renewal, a new creator that is compatible with With new developments.

If the Aristotelian certainty was the most stable in a great theatrical era, Aristotle established it in his book The Art of Poetry, and it remained for centuries the measurement and the standard, through which the quality or failure of the theatrical text is measured according to the extent to which the author adheres to the Aristotelian certainty in the playwriting, until the world is in changes that have not Were not taken into account, and Aristotelian writing became inadequate for the course of successive ages, and was unable to express the suffering of man in In the modern era, many trends emerged expressing the suffering of man, creating a new certainty commensurate with the nature of the crisis, which is covered in the study, by proposing the absurd trend in playwriting, in all its intellectual, philosophical and technical aspects, and the extent of the transformation and change that occurred in the Aristotelian certainty compared to the absurd certainty To find out the degree of renewal and development commensurate with the new stage.

The study was chosen on the text (Happy Days) by Samuel Beckett, (The Sand Box) by Edward Olby, to study the similarity in the features of absurd philosophical thought, despite the difference in time, place and ideologies according to the quadratic criticism.