قيمة الدلالة الصوتية في الإيقاع الداخلي : شعر الصيد و الطرد في العصر العباسي نموذجا

الملخص EN

This study will examine the semantic value in the internal rhythm: the music within the poetic text, through which the poet can make the text more harmonious and inspirational and influential in the recipient in his choice of homogeneous and non-contradictory words in the poetic text and the poet has to rely on them to achieve the desired internal music.

One of the most important of these instruments is repetition, and forms a musical melody through the harmony generated by the repetition of the constituent units of all.

The faces are varied, repeating sounds, repeating words and repeating phrases.

The other instrument is the genus which is: one of the most important pillars of the internal rhythm.

And based on the ability of the poet to rely on the match of letters and manipulation of numbers.

There is a tool and another tool, which performs an aesthetic function that gives the house through which the harmony between words and meanings, be it from two parties each side of the opposite side.

Sometimes it is a controversial argument.

more wonderful than the single dish.

There is a tool to respond to the deficit on the chest, and the poet to refer to the word that appeared in the chest of the house to end his inability to provide a nice musical value beloved to the same recipient.

The circulating poet relies on giving the house a continuity in which he tries to ease the break of the first part of the second.

And the latest tool is the inclusion and implement the poet to deliver the house to the next to blow the gap between the house and the next, and not just connect the two parts in one house.

We have made an effort in this search to reach a satisfactory stage, and we ask God to reconcile and our last prayer that praise be to God the Lord of the Worlds.