سيميولوجيا اللون الأبيض و الأسود في المنظر المسرحي : نماذج مختارة

الملخص EN

Many theatrical experiments (in the field of theatrical scene design) have deliberately used plastic colors in their theatrical performances beyond their natural traditional function of the dramatic action, bearing features (social, religious, psychological, aesthetic).

The research contains the introduction to the research, including the research problem that has been identified with the following question: How can black and white symiologically create an artistic and aesthetic debate in the design of the theatrical scene that carries the same social, philosophical, intellectual, and psychological contents, and its expression through light (light and shadow).

The aim of the research is to identify the sociology of black and white in the theater scene.

The research included the limits of the research that were defined in time (2010-2019), and in Iraq / Baghdad and Babylon, and the two subjects of the study of white and black colors psychologically.The theoretical framework, the indications that resulted from it and the previous studies included two studies on me, the first study by studying the formations of white and black color in the theatrical view, while the second topic is about me in the semantic reduction and simplification of white and black color in theatrical view.

As for the procedural framework that included the research community from three theatrical performances, selected models, in which the symiology of white and black color varies through reduction and simplification of the visual color.

The chapter also included the research sample consisting of three theatrical performances, with the aim of identifying the psychosiology of color in the theater scene.

The research included conclusions reached by the researcher through identifying the symbiology of colors through their shortened and simplified representations, which use the various color technology in making her theatrical performances