آليات إعداد الجسد بين التعبير الداخلي و الخارجي عند الممثل المسرحي : عروض أحمد محمد أنموذجا

العناوين الأخرى

The theatrical actor’s mechanisms of preparing the body for the internal and external expressions : Ahmed Muhammed shows as a model

المؤلف

علي رضا حسين

المصدر

مجلة جامعة بابل للعلوم الإنسانية

العدد

المجلد 29، العدد 6 (30 يونيو/حزيران 2021)، ص ص. 115-131، 17ص.

الناشر

جامعة بابل

تاريخ النشر

2021-06-30

دولة النشر

العراق

عدد الصفحات

17

التخصصات الرئيسية

الفنون

الملخص EN

This research means studying the actor’s body in terms of its expressions.

Through the movement it is possible to distinguish between what is internal and what is external.

After analyzing the director of the theatrical character and its motives, he can communicate the internal personality states of the actor and thus this character is embodied on the basis of mutual thinking between the actor and the director, not for the sake of showing these ideas And feelings on the body to be an expressive body understood by the recipient, and from here the director exercises his representatives on two types of performance by the body, one of which is internal and which relates to psychological aspects and the other is visual indicative resulting from agreement on the form of movement, and for this the researcher divided his research into four chapters, which are the first chapter The methodological framework for the research and includes: The research problem centered around the following question (What is the mechanism that the trainer uses to count the body of an actor to be able to express the body (internal and external)? Then the importance of research and the need for it, then the goal of the research, and then the limits of the research: temporal from (2018) - 2019) spatial (Iraq), objectivity and finally defining procedural terms and definitions.

As for the second chapter (Theoretical Framework), it included two topics, the first concerned with the study of Krotovsky and the psycho-physical performance and the second Eugenio Barba and the external physical performance.

As for the third chapter, it included the research procedures, samples, research tool and methodology.

One sample was chosen, which is the presentation of the play (Crystal) from the performances of the director (Ahmed Muhammad), and the most important results were: 1.

The more the subject of the incarnation is close to metaphysical hidden worlds unaware of the mind (the world of the isthmus, death), the more the director (Ahmed Muhammad) pushes to direct and prepare his actors in ways based on evoking those unseen worlds and in an unconscious way, both according to his understanding, references and conception of the idea and thus the physical expression Internally psychologically (scene one, the grave scene).

2.

read the physical movement in the third scene (the scene of the conflict) externally because the director (Ahmed Muhammad) participated in more than one actor in the scene, especially as it was a struggle between good and evil, which generated a high dynamic between the two characters and the readable movements of the recipient based on agreement, so the expression was prepared for each movement to express its meaning.

(Man, Satan - Good, Evil) and all of these dualities are antitheses resulting from the environment of the same representative individual.

3.

The performance was internal, returning to the state of death (the last scene).

The director (Ahmed Muhammad) linked the subject with death and divine justice by invoking all the thoughts that the character passed through about the unseen topic, then simulating this situation by pulling the body to the grave to be the end, which required internal performance..

The chapter also contained a set of conclusions, then confirmed the sources

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

علي رضا حسين. 2021. آليات إعداد الجسد بين التعبير الداخلي و الخارجي عند الممثل المسرحي : عروض أحمد محمد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية،مج. 29، ع. 6، ص ص. 115-131.
https://search.emarefa.net/detail/BIM-1265441

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

علي رضا حسين. آليات إعداد الجسد بين التعبير الداخلي و الخارجي عند الممثل المسرحي : عروض أحمد محمد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية مج. 29، ع. 6 (حزيران 2021)، ص ص. 115-131.
https://search.emarefa.net/detail/BIM-1265441

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

علي رضا حسين. آليات إعداد الجسد بين التعبير الداخلي و الخارجي عند الممثل المسرحي : عروض أحمد محمد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية. 2021. مج. 29، ع. 6، ص ص. 115-131.
https://search.emarefa.net/detail/BIM-1265441

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن مراجع ببليوجرافية : ص. 130-131

رقم السجل

BIM-1265441