تمثلات العمارة المعاصرة في الإنشاء السينوكرافي للعرض المسرحي العراقي : مسرحية تقاسيم على نغم الحياة أنموذجا

الملخص EN

Contemporary architecture represents a visual phenomenon based on distinctive intellectual life necessities and a distinguishing mark in the comprehensive march of human civilization, as it is a product of daily practice with its multiple levels and architecture forms.

An intellectual pattern that is manifested by the formal presence of the architectural construction based on stylistic transformations and influenced by the environment, the weather, and the prevailing intellectual values, as well as by the historical heritage and spiritual beliefs.

The architectural construction method of the city during the industrial revolution was predisposed by major transformations in advanced production methods and the intellectual and scientific discourse of human civilization, where the momentum of the experimental context was dominated.

It constituted a prevailing cognitive distinction that ensured a future environment containing major intellectual and social transformations that would form features of future city spaces and ensure the emergence of advanced societies .

Architecture in the eighteenth century is a specialized science and art that is independent and separate from the craft of construction and simulation.

Hence, it became the problem of searching through (Representations of contemporary architecture in the formation of the scenography of the Iraqi theatrical show).

Then, the researcher defined the theoretical framework with two researches, the first of which was dealt with the functional and aesthetic representations of the contemporary architecture space (constructivism, Bauhaus, and deconstruction).

The second topic deals with the representations of synchographic constructions in some international theatrical experiences, and after that the theoretical framework indicators which were adopted by the researcher are identified in the analysis of the research sample.

As for the third chapter, it contained the research procedures, as it included one sample and it was intentionally chosen (the play "Taqasim on the Rhythm of Life).

By analyzing the research sample, the researcher was able to arrive at the results of his research.

The fourth chapter contains the results and conclusions.

The search was concluded with a list of sources.