جماليات الحرف العربي في الطبعة العربية المعاصرة في العراق و مصر

الملخص EN

The current research consists of four chapters.

The first chapter concerned with the research problem, which was determined by answering the following question ((What are the aesthetics of the decorative composition of the Arabic letter in the contemporary Arabic edition)), the importance of the research and the need for it, as well as its goal represented by (revealing the aesthetics of the decorative composition of the letter Al-Arabi in the Contemporary Arab Edition).

Then defining terms.

As for the second chapter, it is composed of two topics, the first: (A historical overview of the origin of Arabic calligraphy and its types).

While the second topic deals with (technical and technical characteristics of graphic art) as well as the indicators of the theoretical framework, while the third chapter includes (research procedures), which is the research community, and the research sample consisting of (4) models chosen intentionally (selectively).

The researchers followed the descriptive and analytical approach in analyzing the samples.

The fourth chapter included (the results of the research, their discussion, conclusions, recommendations and proposals), and among the most important findings of the research are: 1- Experimentation played a major role in achieving stylistic diversity in Iraqi and Egyptian artistic printing works that were affected by factors of specificity stemming from the nature of life and the circumstances of each country.

Therefore, most of the artists presented works with experimental formulations that follow everything new and developed in the field of art, life and technology.

As for the conclusions, the most important of which are: 1 - The work of the graphic artist is keen to benefit from historically rich forms and employ them in the context of his pursuit of artistic and cultural transition and diversity with a contemporary vision, as it is within the limits of his selection of those traditional symbols and crafts that are primarily formal, but his themes, formulations and treatments are what give the shapes their new connotations, which allow For his works to remain within the circle of link between heritage and modernity together