اللامعقول و مظاهره في النص المسرحي العراقي : (جليل القيسي)‎ انموذجا

الملخص EN

lot of controversy has arisen about the theater of the rd because of its peculiarity that makes it stand on the opposite end of the Aristotelian theater, which was based on principles and constants that cannot be deflected or transcended in any way, and the theater of the rd that took from the philosophy of rdity is considered a major starting point on which most Their dramatic texts, which are rd is a summary of the experiences that the theater went through, and they are a summary of all the previous theatrical schools and currents, meaning that they took symbolism, Dadaism and Surrealism as their starting point, as well as the wars that destroyed the world and gave rise to new concepts, which proved the impotence of man Civilization is to make peace for his fellow man and how man was able in the twentieth century, who made science and technology a tool to kill a person, so the two world wars were tantamount to announcing the failure of man and civilization and its institutions that call for freedom and human rights.

To condemn and ridicule the new civilization as a lesson from a wave of writing that critics called (the theater of the rd), and the Iraqi writer was not isolated from these theatrical currents, especially since the conditions in the Arab region were not far from the arena of global conflict until the leakage of presentations, ideas, texts and philosophy of the theater of the rd to the cultural arena The Iraqi writer Jalil al-Qaisi was among the most prominent of those who found some aspects of the rd theaterUntil the research problem was formed through several questions, the answer to them was implicitly in the body of the research, and the research came out with several results, the most prominent of which are: 1- The Iraqi writer relies in writing his texts on the techniques of theater of the rd from the general framework of the topics, including frustration and pointlessness.2- The Iraqi writer is inspired by the philosophy that arises and on which the texts of the rd are based without escaping from their authority, so we find the philosophy of useless waiting tyranny for the chosen sample.