الانزياح و آليات التطبيق في الشعر النسوي الجزائري المعاصر : ديوان عليك اللهفة لأحلام مستغانمي انموذجا

الملخص EN

The different approaches and readings by which we have tried to deepen and explode both superficially and in depth the latent potentials of literary discourse in order to do away with literary practices and criticism of many problems and stereotypes established to discuss the new Arab criticism in the light of world literary and critical development and it is through these manifestation theoretical origins on the one hand and its applied tendency and its procedural tools on the other in addition to the dialectical approach and the theory we are confronted with a problematic of the critical concept, which had as an ambiguity on the Arab receiver and the fact that the language concept is an accort as it was compiled by the old and new dictionaries.

This is what was not at all reflected in the critical Arab proposals, and always true to generosity and abundance.

While we find enormous amount in exchange for the single Western term in a clear deficit of the Arab critical machine to find a unified analogue tradiction and accredited at the same time by linguistic and pragmatic competence the consepts are keys to the science of the sakaki opinion.

So each program has specific terms differentiate it from other approaches, and are used as procedural mechanisms to approach literary works.

This gap is one of the new terms adopted by the new Western critical system.

Despite its presence in the old Arab declaration.

However, it lacked the mechanics of terminology for its emptiness of semantic loads of modern and contemporary critiques.

Therefore, and for the specificity of Arab feminist literary discourse, criticism must take the practical side with a whole set of caution so as not to be simply projections of the West.