التجربة الجمالية في فضاءات الفينومينولوجيا

الملخص EN

In order to search about aesthetic experience in spaces of phenomenolody, we begin with problematic about relationship between aesthetic and phenomenology that is a main meaning and also to give influence in path of aesthetic.

First, this problematic has many texture of approaches methods and artistic and study by a famous philosophers like HUSSERL and new phenomenology, all this studies discuss from problematic of relation between artwork and phenomenologer or phenomenologer and artistic phenomenon.

After , the tool of this approache is phenomenology and its rules, and trying to move in phenomenology of art with HUSSERL ,MERLEAUPONTY,MICHELHENRY,HENRIMALDINEY, IRWIN STRAUSS, MIKEL DUFRENNE, JEAN-LUC MARION, the purpose of this approach is to understand relation between phenomenologer and artwork and in order to know phenomenological aesthetic.

No one can deny that phenomenology of husserl has the role to form the definition of aesthetic experience especially dimension aesthetic.This study came to exceed the ideological and classical understanding about phenomenology and advertising that truth is not one « phenomenologer and world » but we have another relationship between phenomenologer and artwork and its impact with aesthetic rules for example reading merleau-ponty to the painting of artist paul cezanne, and reading michel henry to the artwork of wassily kandinsky.

At the end, this approach became a new space and opens new horizons to the aesthetic experience with many understanding and visions to know another field especially utilitarian philosophy later