من المسرحية إلى المسردية : توالد الأجناس و هاجس المصطلح : رؤية من منظور النقد الأدبي الإلكتروني

الملخص EN

Social communication was and still is an important element in life.Its importance and effectiveness have emerged with the increase in technological progress in the life of social communication today which interested scholars and researchers from different disciplines like criticism, literature and arts.

Literature has never been immune to these developments.

As a result, digital literature was born.

It is that kind of literature that its texts are usually found on computers, web, Facebook...etc.It is a literature that employs the data of modern technology, which contributed to the presentation of a new literary text that combines literary and electronic, carrying reading and writing characteristics that constitute a shift in the characteristics of the familiar literary text.

It provides non-linear reading and writing that led to the existence of new relationships and concepts.

Therefore, the interactive digital text is a new literary genre in the literary arena in general and the Arab one in particular in terms of its being the product of the new Western technology.

To what extent can this Arab attempt go? Is this technique capable of assimilating literature and its criticism, especially if it comes to the birth of the critical term, and the controversy it creates in terms of representation of a general literary genre? Is the fact that this interaction was found among the recipients? In an attempt to get to know the term “narrative” that was carved by the critic Azzedine Djlawdji, we would like to ascertain the most important opinions and positions expressed by some critics and interested parties through their interaction with the term from the perspective of electronic literary criticism