الجسد الأنثوي و علاقته بالآخر : السينما النسوية أنموذجا

الملخص EN

The subject of women has attracted the interest of the seventh art professionals, as it has been treated from its various political, social and psychological aspects.

However, we find that the view of presenting the image of this woman differs from one society to another and more precisely, from one cinema professional to another.

This divergence raised multiple issues at the level of writings and cinematic discussions concerning the way cinema addresses women's issues.

Thus the present paper came as a research endeavor that tries to reveal the hidden ideological connotations of the feminist discourse, and it refers more accurately to the ideological backgrounds of female women professionals.

We concluded that cinema plays akey role in shaping the prevailing value and cultural order in the society, and in forming the relationships and behaviors that result from them.

Therefore, either this cinema helps to change concepts, values, and traditional customs, thereby contributing to increasing women's awareness of their realities and the new roles imposed by the current circumstances and needs, or it helps to consolidate and deepen these traditional perceptions, thus contributing to the false awareness of individuals, including women’s consciousness of their true roles.

The deficit of feminist theory, in the field of cinema, to answer to discrimination negatively about the feminist vision of cinema, leads to the crucial question of what is the most appropriate and required strategy to place the image of women in cinema in light of the complex and complicated reality of women, with an alternative cinema that is able to present rights thought in our theoretical starting points based on the needs and requirements of reality and demystifies the fact of discrimination practiced against women within society.