مستجدات السينما الثورية و دورها في رسم ملامح الهوية الجزائرية : قراءة تحليلية في فيلم "البئر"

الملخص EN

Algerian cinema flourished in parallel with the editorial revolution, as a main player that gave a strong push to Algerian revolutionary film makers, the latter that managed to possess an acceptable position and was held in international film forums and festivals, but it was marked by a direct template that depends mainly on the report and the narrative.

What has traditionally been the feature of films for decades.

To talk about creating creativity and keeping up with the market for cinematic industry requires a kind of innovation that entitles the world of international competition, a reality that is somewhat absent in Algerian cinema, especially revolutionary, to its close association with the featurs of national identity.

In this context, we have prepared this paper, which, through an analytical study, seeks to examine the reality of the modern revolutionary film in the drawing of Algerian identity, in order to form a general perception of the latest developments in revolutionary cinema in form and content, trying to present analytical readings in the “well film”, which is considered