النقد و إشكاليات الحداثة

الملخص EN

Contemporary Arab criticism has stood helpless in front of the requirements of modernity and the challenges and taboos it has produced that have constituted a real crisis in contemporary Arab thought as it took upon itself a thinker accusing the original Arab thought of impotence and delving into the search for a way out of the intellectual dilemma in which it fell, to renew itself based on its components.

The private interior, as there is no way for contemporary criticism to stand in the way of modernity, because the difference between them is in the formation and the first construction of them on the one hand, and on the other hand the contemporary Arab criticism stands impotent in the face of Western modernity and cannot explain its weaknesses, it is precisely not He has the ability to face it.

Literary criticism originally existed to confront the creative text, not to confront modernity, which consists of a mixture of reason, science and time, and this mixture is tight in its construction, and criticism cannot break this bond, because criticism has grown up between interpretation, analysis and reading only.