فاعلية الايقاع في الدلالة و الأداء الفني في شعر عمرة بنت مرداس

الملخص EN

Rhythm is essential pillar in organization of a poem.

So, poets seek to exploit the phonetic elements of letters and vocabulary, in order to achieve rhythmic harmony within the poetic context.

Therefore, the rhythmic sequence was not limited to meter and rhyme.

Nevertheless, there is a supportive rhythm that contributes to giving the poetic context a kind of tonal flow through various types of innovated art of repetition, alliteration, response issued to deficit, division and others.

Together, all these elements constitute the changing rhythm within the poetic pattern, in other words, the auxiliary rhythm constitutes rhythmic harmony and unification of ups and downs.

As well as the distribution of vocal beams and their degrees of undulation and their relationship to the fixed rhythm and semantic values involved in the poetic systems.

The rhythmic and semantic combination produces a rhythm commensurate with the psychological emotion and the emotional state that emerged from the attraction of the vocabulary of the poetic context with each other.

This combination constitutes a rhythmic melody that delights the ear and frays souls.

According to the foregoing, the researcher decided to present the research divided into four sections, as follows: First; the concept of rhythm.

Second: the aesthetics of rhythm.

Third one is introducing the poet and her poetic experience.

Fourth: The aesthetics of supporting rhythm and its patterns (repetition, alliteration, division, and miraculous response to the breasts).

With a conclusion that included the most important search results.