التكعبية التركيبية في تكوينات مستوحاه من المعالم الأثرية للمصريين القدماء : رؤية معاصرة من خلال مجالي (الرسم و التصوير-و طباعة المنسوجات)‎

الملخص EN

The research idea depends on Synthetic cubism, which is the collage style of the most prominent techniques subject to this stage.

Creating artistic formations in the fields of drawing and photography - printing textiles, inspired by the archaeological sites of ancient Egypt.

The experiment was also applied to students of the third year at the undergraduate level - Faculty of Art Education, Minia University.

The students' work in the field of drawing, photography, and textile printing relied on the use of cubism and collage as a technique in carrying out the works, so that the research problem was determined in the following question: -
- How to create works of art inspired by the archaeological sites of ancient Egypt in the style of synthetic cubism?
- And how to create artistic works with innovative formulations for hijab fabrics and single-character garments using silk-screen technology.

The aim of the research
- Developing students 'skills and their thought actions in terms of olute expression and enjoying a great deal of freedom in implementing and directing artistic work in line with the fabrics printed on the silk screen.

The research aims to take advantage of the artistic capabilities and aesthetic values of the collage technique in drawing and painting, to benefit from the formative elements and vocabulary of the ancient Egyptian monuments, and to reformulate them in accordance with the silk screen printing.

Research purpose
Artworks inspired by the archaeological sites of ancient Egypt can be created in the style of synthetic cubism in the fields of drawing and photography, and reformulated using silk-screen technology to suit the fabrics of hijab and clothes (t-shirt) in the field of textile printing.

Research importance
The research contributes to the creation of works of art inspired by the archaeological sites of ancient Egypt in the collage style, which is considered one of the features of compositional Cubism.