الانسجام النصي في قصيدة (في تيه الحياة)‎ لمحمد قرنه المتوفى (1979م)‎

الملخص EN

The text, in its nature, is a coherent structure with an internal system to link its elements with logical, grammatical and semantic relationships that provide to it a kind of consistency that makes its study a possible scientific study: indeed, it is a subject of interest to many scholars and critics, who have set to its coherence and its interconnectedness many criteria, and this study deals with one of its criteria it is the criterion of harmony, due to the harmony it makes between sentences and words, words and phrases, so this study came under the title (The textual harmony in a poem of * In the labyrinth of life * by Muhammad Qurna *died in 1979*) This poet, who knew by his sincerity sense and the integrity of his nature, and his love for his homeland, but his right was wasted due to the negligence of researchers to him except in a rare few, so this study intended to unveil this poet with his poetic output, which is a natural extension of the Arab poetic heritage, and a historical record of the events of his time, and his picture of his environment may not exist except in his poetry, taking care to show that the text is not just a group of words attached together without arrangement or organization, but rather it must fulfill a set of characteristics and conditions that are different in nature, functions and meanings, by discovering the importance of harmony in the poetic text and what it contains of plot and coherence, which made critics care about by providing mechanisms for it or tools that help link sentences so that they become a text, with showing the extent of textual harmony and its mechanisms with the poet in his poem as a work that none of the researchers did - as far as I know - I did not find any work as interested in harmony as Muhammad Qurna, and proof of that in his poetry, which was characterized by a set of characteristics and conditions that distinguished the text from the non-text, coupled with strong style and language, and appropriate images of ideas, which were manifested in the sweet music, and phonological harmony.