جماليات التنوع للتعالقات النصية في لوحات البشارة

الملخص EN

The current research sheds light on (the aesthetics of diversity of textual relationships in the paintings of the Annunciation), as it involves a philosophical structure that is linked to religious and spiritual belief, and abstract thought.

The research dealt with four chapters, the first of which contained the problem, which was represented by the following questions: - How was the European artist able to deal with the textual interrelationship in the painting of the Annunciation, and how stylistically and structurally her body through combination through partial and total intertextuality? The chapter also included the importance of research and the need for it, then the goal of the research, which sought to know the topic of the good news at the level of form and content, as well as the limits of research and definition of terms.

As for the second chapter, which dealt with the theoretical framework, it included two topics, the first: the aesthetic diversity between styles and artistic styles.

Second: Textual interrelationship in visual knowledge by realizing the general characteristics .

The third chapter included the research methodology and the research sample, and the researcher analyzed the samples of the research sample (3), and the research ended with the fourth chapter, which consisted of a set of results, conclusions, recommendations and suggestions.

It usually works to achieve protection that the human eye does not see, although the form is almost indistinguishable from the visible.

the medieval artist committed himself to following the Byzantine style in representing his textual attachment to the scene of the Annunciation through the embodiment of angelic shapes and the way to show them.

However, there is something new that the artist tried to convey, which is the representation of emotion and the addition of self to the artist and the use of skill and experience, which added aesthetics to the aesthetic discourse of the Annunciation painting.

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The search ended with sources and supplements