خصائص الأداء التمثيلي في عروض المسرح المفتوح

الملخص EN

The expressive media has multiplied for a person from the beginnings of his life, where representation and diagnosis were an important phenomenon in his life without knowing that because the representation expresses his material and psychological needs, and from here the importance of representation in the human life started as an important communication method that has its characteristics in the level of the influence and influence process, after which a concept developed Acting until it became an important phenomenon to express the ritual movements of the limited place and environment, leading to the emergence of the feature of acting in theatrical performances according to advanced stages in the directions and theatrical doctrines to be a creative artistic method subject to multiple methods of artistic direction Since the acting and theater began in the open arenas without being in the Italian box theater, to get to know the level of specificity of the representative performance in the open theater space, because this trend is close to a person who is not specialized in his workplace and presence, and from here the researcher tried to choose the title of his research tagged ( The characteristics of the representative performance in the open theater space) The research started from the hypothesis of the following question to the problem of his research (was the actor in the Iraqi visual theater able to identify the characteristics of the representative performance in the open theater) to determine his goal in the detection and identification of the characteristics of the performing performance in the open theater space.

The researcher discussed in the theoretical framework that included two topics: the first (the concept of representative performance) and this topic included the concept of representative performance across modern schools from recipients and Kobo and others to get to know the specificity of the concept of performance and its diversities as the second topic came under the title (characteristics of representative performance in the open theater space) then Theoretical framework indicators to be a sample analysis tool chosen by the researcher in the third chapter to be intended to distinguish their occurrence as an open spatial event that expresses the specificity of their occurrence up to the fourth chapter.

Results and conclusions are proven by the sources and references of this research