البعد الرمزي في مسرحيات صلاح عبد الصبور : مجنون ليلى أمنوذج

الملخص EN

The research presented the symbolic aspect in the plays of Salah Abdel Saboor - Majnoon Laila Play as an example and the conflict that is going on between the past and the present, the aim of the research was to clarify the symbolic dimension in the plays of Salah Abdel Saboor and to reveal the aesthetics and foundations of this theatrical discourse influenced by the symbolic doctrine, and offers the first chapter framework ,The second chapter presents the theoretical framework, which in turn is based on the symbol and artistic foundations and the other side on the symbolic stage globally and in Arab world.

The research presented the research methodology in reaching the conclusions and conclusions down to the main objectives that were drawn during the research.

In the Start of the research, it focusing on the historical of Symbolism in the world and Egypt that is a loosely organized literary and artistic movement that originated with a group of French poets in the late 19th century, spread to painting and the theatre, and influenced the European and American literatures of the 20th century to varying degrees.

Symbolist artists sought to express individual emotional experience through the subtle and suggestive use of highly symbolized language.

The problem with the research is what the symbolic dimension achieves in the development and establishment of symbolic theatrical discourse and whether this was achieved in the play of Laila and the Majnoon The importance of the research lies in highlighting the phenomenon of the use of symbols and their creation in the theatrical presentation and its introduction of the symbolic doctrine and its aesthetic references, which benefited the symbolic theatrical art in the international and Arab theatrical Plays, as well as the need for research for its usefulness for scholars of literature and theatrical criticism and those working in Theatrical directing of the aesthetics of this study in the international and Arab theatrical texts, and what content from symbols, Semantics, signs, and manifestations of the world and contemporary Arab symbolic theater..