الهندسة الصوتية في القصيدة الشعبية : العامرية أنموذجا للشاعر الشعبي محمد بلخير

الملخص EN

The Algerian folk poem did not differ from its standard counterpart, nor did it deviate from the English and French poems, especially with regard to the aspect of sound engineering.

It was in harmony with the sense of the popular poet and his lyrical culture, so he was able to form its internal units with meanings and connotations that the acoustic engineering contributed to highlighting.

It was a vocal stylistic within the structure of oral discourse, and in an internal system that characterized the sound effect resulting from the music of the sounds, its regularity and consistency in every verse.

Those phonetic and semantic tensions that are brought about by inlay, rhyme and narration, in addition to repetition and parallelism, were employed by the poet for the purpose of revealing the semantic patterns that suit his conscience and push the listener’s respond to him.