النصب و الألواح النذرية القرطاجية

الملخص EN

Monuments and votive tablets are the most widespread traces of the punic era, as many of them have been discovered.

These tablets and monuments were associated with a sacred place called the sanctuary haram or the tophet, which is an open-air place where human and animal sacrifices are made, placed in funerary urns topped with monuments and votive tablets inscribed with names, writings and images of people, gods, symbols and decorations that commemorate these rituals.

The punic man was able to diversify the forms of those monuments, votive panels and the themes engraved on them, which indicates the transition of punic art from an abstract art to a figurative art as a result of being effected by the civilized neighborhood.