الأدب من الطور الورقي إلى الطور الرقمي التفاعلي

الملخص EN

The literature field has witnessed a qualitative cultural movement about twenty years ago of the current century.

this movement engendered a new literature which provided aesthetic standards and features that were not available in the hard copy literature.

this new literay product is called digital interactive literature.

this article aims to clear the blinders from this newcomer by introducing him to it, and tracing how it moved from the paper phase to the interactive digital phase, based on an approach in which i mix between description and analysis.

at the conclusion of this research, i reached a set of results, the most important of which are the following : -researchers and critics do not agree on a unified name for this literary newborn, as each is termed on the basis of his own cognitive references.

-a number of conditions must be met in interactive digital literature, to be termed with this term.

-interactivity is a natural characteristic in paper-based literature, but it acquired new mechanisms in digital literature, which enabled the digital recipient to extend his total supremacy over the literary text.

-the nonlinearity of digital genres gave it the utmost interactivity.

-digital literature introduces new features and aesthetic standards that were not available before in paper literature, such as the feature of collective authorship ...

etc.