البلاغة الأدبية بين الإقناع و الانفعال

الملخص EN

Perhaps it has become firmly established in theoretical considerations that the creativity of arts in general and poetry in particular is not subject to a specific hierarchical approach through which it is possible to understand the effective vision and tool in order to know the news of the method to be followed in order to possess the specifications of success and excellence in that field.

The first, to our minds, is that there is no control over the interactions of emotions and obsessions, as it appears that these structural transformations in the context of poetic discourse are related to the activity of various stimuli, and accordingly, how is the weaving of literary rhetoric between persuasion and emotion?