الفواعل الدرامية للصورة الفوتوغرافية في الفضاء الروائي-رواية "شتاء لعائلة" للكاتب علي بدر أنموذجا

الملخص EN

The research presents a critical view in perspective of the aesthetic approach to the most important signs of iconic communication - the photograph, and the presentation of the concept of the image and the word as a textual medium composed of the overlapping word and image sign; Because of their semiotic nature, and their circulation in a discourse that enriches the narration and enriches events with its semantic orientation, and with the efficiency and strength that the image carries in the rhythm of the communicative system, and what lies in it of the intelligible elements that enable the realization of the intended dimension, and its impact on the reader and guidance for the social, human and psychological benefit.

The research axes centered on describing the visual message based on the most important classical axes invented by Jacobson: the sender (the creator of the text), the addressee (the receiver), the message (the image / the word), and the focus on the three most important pillars (the image / the word) as they work in the semiological approach Within the field of symbolic rhetoric and the extent of their superiority in invoking the meaning while standing at the photographic image by relying on its most important icons through the micro-text structure, which makes it more skillfully probing the dramatic actors of the photograph when dismantling its elements and re-installing them within its only composition in order to present a kinetic act that gives the narrative an expansion in the narration And its interaction with the major text structure, so the reader becomes in front of an intertwined network of aspects of storytelling, thus forming a vision and an artistic dimension that the writer wants to convey to him after it has become a stray A cat in his novel text, to conclude the study of the research on the most important results reached by the researcher .