التشخيصية في الخزف العربي المعاصر

الملخص EN

This research consists of four chapters, the first one includes the research problem which is summarized by the following question: what are the features of diagnostics in the contemporary Arabic woman ceramic sculpture and what is the importance of the research, needs for it, and its aim representing in identifying the diagnostics dimensions in Arabic woman ceramic sculpture and then the research limits and terminology.

the second chapter includes two topics: the first one is the diagnostics in art throughout history and the second one is the evolution and development of Arabic woman ceramic sculpture as well as the findings of the theoretical framework.

the third chapter contains the research procedures representing in the research community, sample, methodology, and analysis of five samples of Arabic woman ceramic sculpture works.

the fourth chapters includes the findings such as: 1- most Arabic woman ceramists inspire their subjects from the real life in Arab homeland according to simple diagnostics focus on the contents of diagnostic forms.

2- expressionism dominates the products of Arabic woman ceramic sculpture through facial and body features and focus on psychological and mental sides which can be expressed in their works.

as well as the conclusions such as: 1- Arabic woman ceramists seek to find an innovative and outstanding site for their art works through expressing subjects and issues that concern Arabs with the concentration on the privacy of Arabic women's ideas and interests.

and finally the recommendations, suggestions, English abstract and references.