موقف المجاميع في نصوص صلاح عبد الصبور المسرحية

الملخص EN

The research is summarized in four chapters.

the first chapter includes the methodological framework that includes the research problem centered on the following question: (what is the position of the chorus Salah Abdel-Sabour, s dramatical texts?).

as for the aim of the research, the research aims to identify the position of the chorus Salah Abdel-Sabour, s dramatical texts, and the search is determined by the Arabic dramatic texts of the Egyptian theatrical author (Salah Abdel Sabour) in which he entered the groups for the period (1464-1415).

the second chapter deals with the theoretical framework and previous studies, and the theoretical framework consists of searching for the three topic: the first topic, the concept of position in psychology, which the secend topic, the chorus in the texts of the nineteenth-century theatrical temporary, which the third topic, the intellectual references of the playwright (Salah Abdel Sabour).

the third chapter is determined in the research procedures together: the research community, and the research sample, as the researcher used the intention sample, and the play (the tragedy of Hallaj) represented the research sample.

as for the fourth chapter in the research results, which are based on sample analysis: 1- the chorus of the poor did not possess a patriarchal spirit and an objective attitude towards al-Hallaj, but rather they were humiliating people who witnessed falsehood in exchange for money.

2- the chorus represented the public opinion of the people with their false words that killed the truth.

3- there are other chorus, the mystical chorus, described as fools, which left al-Hallaj to be killed, as they were a tool that the other used to set the stage and they did not understand that.