سيمياء الممثلات الثقافية في الشعر الأندلسي

الملخص EN

This study aims at identifing the semiotic signs that are carried by the cultural representatives inherent in the body, (such as clothing and adornment) that reflect the culture of society, and which were employed in Andalusian poetry; in the Al-Murabit and Al-Muhaddithian poetry of this period.

suggest what is difficult to be confined, in the range of consecutive connected movement with each other, stems from the semiotic actor, towards the subject apparent, and the hidden implicit, within the cultural and aesthetic formats, mediated mu'awwal dynamic, and doing participatory, logical and after deliberative, a petition in an effort to try to limit most of the indications, the underlying implications in the context of the text code consisting of markers, agreed upon, and acceding to it, with the deepening of the semantic level of signs of actresses, arranged and organized in accordance with the exploratory hypothesis, or exploratory initial meaning, determined from which the offsets stylistics, fields Tagged, and Thmlanh In Ttiyathma of Revelation, and the significance, through reliance on the subject, which is based on its branches relationship involving under his wing, represented Baloiconh, and the context, and the symbol, by observing these relationships, which are the signs of the linguistic vehicle in the body of the text, and context of the time, not Lingual extend to What surrounds the text once again, in order to reach the largest size of the connotations that these relations contain, which the poetic text overflows, which goes with the intent.

In order to reach the greatest amount of revelations, we went to an attempt to unveil the aesthetics carried by poetic texts such as artistic images and music, with both parts, in addition to the psychological effects.