أركيولوجيا الفجيعة و استنطاق البعد الدلالي للنص في رواية هوامش الرحلة الأخيرة لمحمد مفلاح

الملخص EN

The centralisation of the pain in the Algerian narrative is no secret to anyone, the dominance of the speech of catastrophe in some literary works provides us with as different indications as to the individual suffering in each text; between the self-standing, the hardship of living in the worlds of alienation, and the agony of falling into the captivity of a familial memory, where all these manifestations are generally displayed in all the literary, narrative genres.

Perhaps the narrative expression in Mohamed Meflah's novel, entitled "The Margins of the Last Trip" is tainted by the sudden tragic tension, which constitutes the details of the painful component, and turning it from a psychological gem to a mental value penetrated by symbolism, with infinite meaning full of the tragic life that plagues the Algerian citizen, hence the possibility to search for that prominent streamlined rhetorical indicator.

It is the departure to the speech of catastrophe through its semantic formations that tend towards self-alienation, and which seek to self-flagellation in front of the rule of matter, to the scourge and suffocation that afflict the self while it is in southern Algeria, which is the subject of our modest study.