أوجه التراث المديني في السينما المغربية : من صناعة الفرجة إلى حفظ الذاكرة

الملخص EN

Working on the realms of the city has been a basis for constructing the creativity of cinema while enriching its spectacle thanks to the value of the things it offers, which help construct the narrative, inspire the decoration and provide the aesthetics necessary for a cinematic work.

What emerges in this relationship more is the external manifestations of the city? In this sense, Moroccan cinema has presented images of the city, that of Fez, Tangier, Casablanca, Ouarzazate and others.

They foreground some architectural categories, patrimonial forms, and material and symbolic realms, which mirror people's belonging and the identity of the place.

That is why Moroccan city/urban films are imprinted with a certain spectacle and marked by urban characteristics in which distinct aspects of heritage referring to the past, present and future do intersect.

They, then, redefine the concept of heritage as a vivid material produced by the process of life, not by distant past.

Loyal to its birthplace, it has preserved a creative link with it to the extent that many films are construed as a memory of some city realms.

Many a filmmaker has chosen working on the city as it is the case of Moroccan cinema, whose works are investigated in this study to check how they do represent the aspects of urban heritage while documenting its memory and serving the filmic spectacle.